Guy Mannes-Abbott is a London-based writer whose work often performs in visual art contexts, including his highly-acclaimed In Ramallah, Running (London 2012), contributory texts for e-flux journal’s Supercommunity project (Venice Biennale 2015) and End Note(s) (Rotterdam/Hong Kong 2015). He contributed to The Gulf: High Culture, Hard Labor (New York 2015), participated in Moderation[s] at Witte de With (Rotterdam 2013) and collaborated with CAMP on The Country of the Blind, and Other Stories (Folkestone 2011). He once taught theory at the AA School of Architecture, London, and his cultural criticism has been widely published.